Blue Lagoon Cocktail print – gallery quality print

  STUART HICKING ARTWORK

Price range: £15.00 through £55.00

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This is one of six cocktail prints I did for The Exchange Bar. Despite being a teetotaller for twenty years, I love the fun and fizz you get from these drinks. If I’ve made a mistake naming these I’d appreciate a comment from those in the know. Lovely prints on quality paper. Signed and delivered

The beauty of giclée printing lies in its on-demand nature, allowing you to customise elements like paper stock, border widths, and of course, size to suit your preferences.

My go-to paper is the luxurious Canson Infinity Rag Photographique 310gsm. Its texture and quality bring depth to the prints. Occasionally, I use the 100% Smooth Cotton 300gsm by Fotospeed for its unique feel. Each print is personally signed and crafted up to A2 size (42 x 59.4 cm), with thoughtful borders ranging from 30 to 50 mm.

Slight variations in colour or positioning might occur with each print—this adds to their unique charm. Every piece is handcrafted by me.

From printing to packaging, I handle each step with care. My prints aren’t outsourced to third-party print shops. If you see my signature on a piece, you can be assured it’s been created and packed by my own hands.

The beauty of giclĂ©e printing is its on-demand nature, allowing customisation in paper stock, border widths, and size. I prefer the luxurious Canson Infinity Rag Photographique 310gsm paper. Each signed print, up to A2 size (42 x 59.4 cm), is personally crafted by me. If my signature’s on it, I’ve printed and packaged it myself.

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Description

Blue Lagoon Cocktail print – gallery quality print on 315gsm art paper, unframed. from ÂŁ15.00

This is one of six cocktail prints I did for The Exchange Bar. Despite being a teetotaller for twenty years, I love the fun and fizz you get from these drinks. If I’ve made a mistake naming these I’d appreciate a comment from those in the know. Lovely prints on quality paper. Signed and delivered

The beauty of giclée printing lies in its on-demand nature, allowing you to customise elements like paper stock, border widths, and of course, size to suit your preferences.

My go-to paper is the luxurious Canson Infinity Rag Photographique 310gsm. Its texture and quality bring depth to the prints. Occasionally, I use the 100% Smooth Cotton 300gsm by Fotospeed for its unique feel. Each print is personally signed and crafted up to A2 size (42 x 59.4 cm), with thoughtful borders ranging from 30 to 50 mm.

Slight variations in colour or positioning might occur with each print—this adds to their unique charm. Every piece is handcrafted by me.

From printing to packaging, I handle each step with care. My prints aren’t outsourced to third-party print shops. If you see my signature on a piece, you can be assured it’s been created and packed by my own hands.

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I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally the education sector before early retirement.The main influences on me, during these early years, were the artists, such as Jasper Johns, Robert Rauschenberg and Jim Dine. The New York scene seemed to combine and challenge what art, performance and film could be in a way that has left a permanent mark on my psyche. This cocktail of Pop Art imagery and Abstract Expressionist mark-making seems to be where I feel most comfortable.

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